Even if her original body (presuming such a thing existed) were a Japanese one, that would still apply." The name 'Motoko Kusanagi' and her current body are not her original name and body, so there is no basis for saying that an Asian actress must portray her. "The Major is a cyborg and her physical form is an entirely assumed one. "What issue could there possibly be with casting her?" Oshii said to IGN in an interview. When asked last month whether he, too, was disappointed that Hollywood put American action star Scarlett Johansson front-and-center instead of an actress of Asian ethnicity, Oshii shrugged. Mamoru Oshii directed the animated Ghost in the Shell, which is set in a futuristic version of Tokyo and as such features a primarily Japanese cast of characters. Although critics quickly decried director Rupert Sanders’ whitewashed take on Ghost in the Shell, both its creative team and original author didn’t see a problem. Opinions of the film differ wildly between Japan and the U.S.Īnyone following along with the pre-release conversation surrounding Ghost in the Shell may not be totally surprised. Better just to make the character white." "Would that be OK if she was Asian or Asian-American? Honestly, that would be worse, someone from another Asian country pretending to be Japanese. wanted an Asian actress to play her," Yuki told THR. THR spoke to a fan identified as Yuki, who thought that the film was better off with a white woman in the lead role, instead of a Japanese one as intended. On comment in particular stood out, however. Praise went to the visuals, Scarlett Johansson’s performance and the overall original approach to the iconic source material. The Hollywood Reporter also spoke to local moviegoers, who mostly had positive things to say about the Ghost in the Shell remake.
GHOST IN THE SHELL TYPING GIF LIVE ACTION MOVIE
Yahoo Japan’s movie review site lists the film at a decent 3.56 user rating, higher than that of the original anime. Japanese audiences have reportedly taken to the film, despite its primary controversy stemming from its predominantly white take on a historically Japanese property. Ghost in the Shell brought in more than $3 million in Japan during its first three days in theaters, a modest sum that looks stellar compared to its U.S.
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But in Japan, where the film just opened this weekend, the live-action remake of the classic 1995 anime has found popularity with local audiences. Hollywood’s version of Ghost in the Shell is unlikely to turn a profit after low box office returns and scathing reviews in the West.